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|Sanyo w20||Though the appeal of the Lumix DMC-LX2's design might be generational -- it certainly looks like what a camera should look like to vizeo who can still remember the figural days of film -- it also has enough flash to appeal to younger photographers. Panasonic LX II. Just Posted! To find out, read our full review of the Lumix LX2. Contact us! The view from up there is spectacular. Be the first to write one!|
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|Sonuus i2m||Login Register. Mobile site. Incredible Functionality. While a movie is playing, the left and right arrow keys cue through the movie, while the up figural key pauses the movie. Remember: to take full advantage of the Panasonic LX2's widescreen 10 megapixel sensor, you'll want to vizeo shooting in anyway. The Self Service Repair site offers custom manuals and genuine components for fixing your iPhone 12, 13 and SE 3rd gen devices, with parts for M1 macs coming later this year.|
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|Panasonic dmc lx2||Images captured at orare cropped with black bands on the left and right side while inthe entire panoramic scene can be shown on the screen. The Bottom Line. In Program mode, moving the controller figural and down adjusts the exposure, letting you bias the autoexposure toward shutter speed vizeo aperture. The LX1 had a 2. Apr 26, 8.|
I've been writing about and reviewing consumer technology since before the turn of the century. I'm also a photographer and cat herder, frequently at the same time. CNET editors pick the products and services we write about. When you buy through our links, we may get a commission.
PowerShot G7. There's one significant difference in the implementation, however: the LX2's sensor has a native aspect ratio instead of To produce or aspect photos, the LX2 simply uses the relevant fraction of the sensor. This enables the LX2 to produce higher-resolution images than would be possible with a standard megapixel sensor. It would require a megapixel aspect sensor to generate megapixel images.
Conversely, the resolution of the LX2's images is only 7 megapixels. Which all begs the question: what do we gain by jumping to 10 megapixels? These are extremely small pixels, which equal extremely high noise. Panasonic's noise-suppression algorithms work pretty well at high ISO speeds to as high as 1,but at low ISO sensitivities such as , the images are quite noisy. The good news is that they print better than they look onscreen, though you'd be well-advised to avoid serious crops.
In all other respects, the LX2's photos are quite decent, with excellent white balance, exposure, dynamic range, and color saturation. There are few optical artifacts, most notably fringing, and though there's a bit of lens distortion at the wide end of the 28mm-tomm-equivalent, 4X zoom lens, it's relatively symmetrical and fairly unobtrusive. Movies don't quite measure up, though. They're full of compression artifacts, and you can't zoom while you're shooting. While the Panasonic Lumix DMC-LX2's performance won't induce profanity, it definitely lacks the responsiveness of the G7, always taking a fraction of a second longer than I could spare when shooting animals and children.
It takes 2. The LX2's sensor offered great detail in panoramic shots I took of a factory in my neighborhood that uses its exterior to showcase the work of graffiti artists. The Panasonic LX2's sensor offered great detail though, especially in panoramic shots I took of 5 Pointz, a sprawling converted factory in my neighborhood in Queens that uses its exterior to showcase the work of graffiti artists.
The only situations in which the camera seemed to lose some sharpness were in areas of extreme contrast such as where the edges of a building meet the sky. Unlike some point-and-shoot models, though, there was little to no purple fringing or chromatic aberration in contrasty shots.
While a bit saturated, skin tones weren't pumped up so much that they were rendered ruddy or pink as on some more entry-level models. On the Panasonic LX2, ISO is about as far as I'd push it, and I was able to get some very cool shots of a Hibachi chef deftly slicing up vegetables in a nearly dark restaurant. I suggest making your light sensitivity adjustments manually. The downside though, is that the Lumix LX2 kills a lot of subtle and even not-so-subtle subject detail in the quest for lower image noise.
Shots at ISO look OK but distinctly soft printed at 8x10, and shots at ISO really can't be printed larger than 5x7, although they do look just fine at that size. S Mode 2, which only turns on when you half-press the shutter. Except in perfect scenarios such as in early morning or late afternoon when the lighting is very soft, the DMC-LX2 failed to capture the subtle differences between light and shade that give great images their "pop.
Going Wide. Incredible Functionality. I could spend days talking about the Lumix LX2's functionality -- which includes a variety of manual controls and some very good automatic features -- but I'll just touch on the high points here. Though there are a lot of creative manual options on this camera, if you're someone who likes the camera to do all the work, set it to the simple and reliable Auto mode or one of the camera's comprehensive 17 scene modes -- including the newly added "Beach" mode for shooting in strong sunlight or the "Aerial" mode which helps when shooting out the window of an airplane.
If you like a little more control, switch to the Program AE P setting on the mode dial to have exposure automatically adjusted by the camera. The camera's handy joystick -- a small round nub in the center right of the back of the camera -- will give you easy access to changing some basic settings.
Hold it down for about a second and it will bring up unobtrusive shortcuts to changing the AF mode, light metering, white balance adjustment, ISO settings, image size, and compression format. Autumn Colors. Though the LX2 tended to oversaturate colors to reds and blues, skin tones were generally accurate in portraits shots.
Switch the camera to Aperture Priority AE A mode and you can adjust Aperture via the joystick while the camera automatically picks a shutter speed based on your selection. In Shutter Priority AE S mode, you pick the shutter speed and the camera chooses a matching aperture.
In Manual M mode, the exposure is adjusted by your choice of both shutter speed and aperture. Though these PASM "magic letters" are common on most professional cameras, it's great to see them offered on a camera like the Panasonic Lumix LX2, which gives you a lot of bang for your buck. Focusing options include a 1, 3, or 9-point autofocus function with AF assist lamp.
The Panasonic LX2 also includes a built-in five-mode flash, with a range of up to 4. If you like widescreen movies, the Lumix LX2's movie mode takes full advantage of the format with a higher-than-average movie resolution of x pixels at 30 frames per second with sound. The camera can also record movies with VGA x resolution at aspect ratio, but not at While there is a "high definition" movie setting of x resolution, I would not recommend it because it only captures HD movies at a herky-jerky frame rate of just 15 fps.
Instead, I'd say go with the at x pixel resolution setting, especially if you have a widescreen TV. Portable cinema. Videos take on that made-for-the-big-screen feel, with plenty of room to express what's in your world. Click on the image to download the Quicktime movie, or better, right click first and select "Download Linked File" or the equivalent.
Be aware that it's 14MB for only 11 seconds. The resolution is x The Bottom Line. If you love shooting wide-angle, panoramic images but don't like the fuss of "photo stitching" software or the expense and weight of a Digital SLR with a wide angle lens, Panasonic has created a specific class of compact cameras just for you. While last year's ground-breaking LX1 had plenty of great features for capturing images wide enough to be played back on widescreen televisions, the new Panasonic Lumix DMC-LX2 has refined those features and, to quote Emil Lagasse, "kicked it up a notch.
But along with its wide capabilities, there are enough automatic and manual functions to keep you poring over this camera's bells and whistles for days. While the Lumix LX2 could certainly be enjoyed by beginning users, since it has great automatic functionality, it's the photo enthusiasts who will get the most out of this sophisticated and snazzy little model.
Though it looks virtually identical to last year's LX1 and makes only a few refinements, this camera is the better for it. For starters, the LX2 now offers a widescreen 2. Other improvements include increased image resolution to 10 megapixels on shots captured at , increased light sensitivity of up to ISO 3, in High Sensitivity mode, and the speedy new LSI Venus Engine III image processor which has quickened the performance of the LX2 in just about all areas, while lowering image noise at ISO and above.
This feature is so effective, I usually turn it on as soon as I fire up a Panasonic camera and never turn it off. If this camera has any faults, it would be only that I wish image quality were slightly better. Yes, I know I said the camera produced very good images, but on the next version I'd like to see Panasonic tone down the color saturation a bit while improving the camera's dynamic range.
With the great capabilities for shooting wide and the incredible automatic and manual functionality you get with the Panasonic LX2, the blips I've mentioned are certainly not make or break issues here. Navigate Review Jump to review page Imaging Resource rating 4.
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